The J.F.K. Flap
by Murray N. Rothbard
The most fascinating thing about JFK, as exciting and well-done as it is, is not the movie itself but the hysterical attempt to marginalize, if not to suppress it. How many movies can you remember where the entire Establishment, in serried ranks, from left (The Nation) through Center to Right, joined together as one in a frantic orgy of calumny and denunciation. Time and Newsweek actually doing so before the movie came out? Apparently, so fearful was the Establishment that the Oliver Stone movie might prove convincing that the public had to be thoroughly inoculated in advance. It was a remarkable performance by the media, and it demonstrates, as nothing else, the enormous and growing gap between Respectable Media opinion and what the public Knows in its Heart.
You would think from the shock of the Respectable Media, that Stone’s JFK was totally outlandish, off-the-wall, monstrous and fanciful in its accusations against the American power structure. And you would think that historical films never engaged in dramatic license, as if such solemnly hailed garbage as Wilson and Sunrise at Campobello had been models of scholarly precision. Hey, come off it guys!