FOIA Docs Show CIA/Pentagon Made 1,800 Movies, TV Shows to Make America Love War
Newly-obtained documents show the Pentagon and CIA have enormous influence over Hollywood — its pro-war propaganda must be accepted or the government packs its assistance and goes home.
By Claire Bernish
TheFreeThoughtProject.com
July 6, 2017
Hollywood magic doesn’t percolate only in the minds of legendary producers and acclaimed directors to be brought to life on the big and television screens where actors’ adept performances capture our imaginations; rather, if the plot pertains to the military, it’s more than likely the Department of Defense had a hand in the script.
From Meet the Parents and America’s Got Talent, to Cupcake Wars and Zero Dark Thirty — even Iron Man, Oprah, Patriot Games, and the James Bond thriller, Tomorrow Never Dies — if the production pertains to the War Machine or Surveillance State, it’s a veritable guarantee government significantly influenced the final product.
Censorship apparently reigns more supremely over Hollywood than we’d ever surmised — nearly 1,800 movies and TV shows have borne the fierce scrutiny of the eagle-eyed Pentagon and CIA.
In fact, according to documents obtained by Tom Secker and Matthew Alford for Insurge Intelligence, the DoD and CIA, and more frequently the NSA, don’t take kindly to portrayal in a negative light — even when that well-deserved derision and criticism covers past exploits long common public knowledge.
It may be better known how the Pentagon consults with Hollywood to ensure accurate portrayal of chains of command, military culture, proper use of equipment, and other obvious factors, but the DoD, it turns out, might as well pen the script — and, in many cases, that’s exactly what happens.
When applicable, films and television series must be rubber-stamped by the government — no seal of approval, no production.
Most often, DoD chief Hollywood liaison, Phil Strub, grants the ‘seal’ for productions where Pentagon guidance has been officially sought — anything amiss would require rewrites and adjustments to accommodate the military’s best interests. Instances where the two cannot come to agreement can mean scrapping the entire production — and it has happened before.
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